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"The way I put things in the telling of the story is really 'experience' personal, taking a cue from the past eras and men ..."
(Nietzsche in "Human, All Too Human, 1878)

If you look at the artistic production of Mauro Bellucci identify as his work constantly to postpone deep issues that, while different, dealing with content ranging from mythological and literary quotation in general, the psychology and behavior sociology of the group. This attitude is its awareness of living in a art-historical, in which, beyond a show cultural sensitivity, he becomes aware of the interpreter of contemporary reality.

In keeping with the new generation of artists active after World War II, the painting becomes a place where to download the power of gesture, and color of the sign and the sign of violent and decided that emerges shows the thrust emotional and the release of action of the artist.

Mauro Bellucci The fencers are represented in the effort the race and the duel in a kind of suspended and environment pervaded by the presence of widespread burning and almost white.

The artist brings out the mystery of these bodies indecipherable carefully avoiding any element of boundary by deleting the entire landscape and scenery that accompanies the usual race fencing, dipping its milky be anonymous in a space isolated from the world as a laboratory environment.

Light directs and shapes the shapes in motion by lose their physical bodies and making athletes like alien and incongruous presence, in space or fighting enigmatic figures are not of facial characteristics.

The dialogue of these paintings with the media and their attention to the sport are so explicit, but that is why the artist emphasizes his involvement in the selection and manipulation of images mass, its ability to draw on sources of communication and to choose only the items necessary and essential to its visual structure.

The chiaroscuro then moves away from any descriptive connotation, and the shadows that widen overalls become instruments of a synthetic plastic which communicates with the size of the electronic monitor from which the painter is able to extract the basic code of a essential building composing the primary signals a renewed vision.

Critical text by Lorenzo Canova

www.maurobellucci.com